![]() Several presets are provided in this module to help you to better understand how it can best be used. Accordingly the module converts from Lab to RGB, performs its color adjustments, and then converts back to Lab. Note: Although this module acts on RGB colors its location in the pixelpipe puts it into the Lab color space. When switching from the former to the latter, you should adapt the saturation in shadows, dividing by around 10. The shadows parameter has a far heavier effect in slope, offset, power mode than in lift, gamma, gain mode. The name of the mode can be use as a mnemonic to remember the order. The slider ranges are limited to usual values ( for saturation, for contrast), but higher and lower values can be defined via keyboard input after right-clicking on the corresponding slider.įor better efficiency, in slope, offset, power mode it is recommended that you set the slope first, then the offset, and finally the power, in that order. They are not available in lift, gamma, gain (sRGB) mode. The master settings affect the whole image. slope, offset, power The new standard defined by the American Society of Cinematographers Color Decision List (ASC CDL) and more suited to scene-referred editing. It can do this using two different methods: lift, gamma, gain The classic method, which allows a more separated control of shadows versus highlights. The color balance module allows you to shift colors selectively by luminance range (shadows, mid-tones, and highlights). ![]() For scene-referred workflow, you should consider using the improved color balance rgb module instead. ![]() ![]() This module can be used to revert parasitic color casts or to enhance the visual atmosphere of an image using color grading, a popular technique in the cinema industry. A versatile tool for adjusting the image’s color balance. ![]()
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